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Capitalism, Class, Inequality Film, Art, Television, and Media On Books and Publishing

The Corruption of Influence: On Dimes Square, Byline, and the New York Times

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Capitalism, Class, Inequality Chicago Chronicles On Books and Publishing

“Boosted!”, my review of Blair Kamin’s Who Is The City For?, is up at the New York Review of Architecture.

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On Books and Publishing

Lyrical Doughnuts or, the “I” in Writing

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Capitalism, Class, Inequality On Books and Publishing

What Really Happened at Current Affairs?

“More Mean Girls than Norma Rae.”

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Capitalism, Class, Inequality Feminism Film, Art, Television, and Media On Books and Publishing Queer Politics, Culture, and History

On J. K. Rowling, Pamela Paul, and the Logic of Virality

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Academia On Books and Publishing

About My Forthcoming Work on “Soft Plagiarism”

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Capitalism, Class, Inequality On Books and Publishing

Twitter Is Not Your Writing Life

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Capitalism, Class, Inequality On Books and Publishing

On Salman Rushdie

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Capitalism, Class, Inequality On Books and Publishing

The Writer As Magazine

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On Books and Publishing Race, Sex, Gender, and Sexuality

My Accent

Update, September 23, 2024: J.D Vance recently mocked Kamala Harris for deploying what he called a “fake” accent. This echoes Trump’s claim that Harris is faking her identity. Liberals everywhere are, rightly, pushing back against this kind of essentialism and racism, but as my essay below points out, the “left” is hardly impervious to identity policing. In my many years in left/radical organising, I, along with several others, have experienced pushback and mockery for not being properly Other enough. I’ll have a longer piece up soon-ish, about how the left polices identity, and my book in progress is partly an examination of this problem. But for now, enjoy this, from 2021. It’s also worth noting that I have since written about some of the events mentioned here, in “What Really Happened at Current Affairs?

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