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Capitalism, Class, Inequality Feminism Gay Marriage Queer Politics, Culture, and History Race, Sex, Gender, and Sexuality

Private Parts & Public Sex

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Capitalism, Class, Inequality Politics Queer Politics, Culture, and History Race, Sex, Gender, and Sexuality

Pete Buttigieg Is Still Playing

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Capitalism, Class, Inequality Feminism Film, Art, Television, and Media On Books and Publishing Queer Politics, Culture, and History

On J. K. Rowling, Pamela Paul, and the Logic of Virality

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Capitalism, Class, Inequality Film, Art, Television, and Media Queer Politics, Culture, and History

On Sex, Marriage, And That White Lotus Finale

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Feminism Film, Art, Television, and Media Queer Politics, Culture, and History Race, Sex, Gender, and Sexuality

Losing Eve: Is That All There Is?

Excerpt: And, really, who cares?

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Capitalism, Class, Inequality Gay Marriage Hate Crime Legislation Prison industrial complex Queer Politics, Culture, and History Race, Sex, Gender, and Sexuality

On Kink at Pride

Excerpt: The really radical act is to question the idea that any sexual act is somehow in itself transgressive.

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Queer Politics, Culture, and History Updates Yasmin's Media Appearances

I was on Montreal’s Queer Corps Radio Hour

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Feminism Queer Politics, Culture, and History Race, Sex, Gender, and Sexuality

Her Name Was Norma

With her, all our pasts — the queer one, the feminist one, and the ostensibly straight one — become infinitely more complicated, and infinitely richer. 

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Queer Politics, Culture, and History Updates Yasmin's Media Appearances

The Charley Shively Prize in Gay Liberation and Activism

 I’m pleased to announce that I’m the recepient of this year’s Charley Shively Prize in Gay Liberation and Activism.

Henri Fantin-Latour | Roses and Lilies | The Met
Categories
Film, Art, Television, and Media Queer Politics, Culture, and History Race, Sex, Gender, and Sexuality

Anal Sex and Its Discontents: Emma Sulkowicz, Lawrence v. Texas, and the Histories of a Sex Act

Excerpt: It’s not that anal sex disrupts capitalism… but that it symbolises the dichotomy between public and private which also characterises the accumulation of capital.