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Feminism Film, Art, Television, and Media Race, Sex, Gender, and Sexuality

All the White Ladies: The Real Dinosaurs of Murphy Brown

All the white ladies, from Hillary Clinton to Diane English to Candice Bergen and the fictional Murphy Brown, living in a past only they recall fondly and refusing to confront the realities of the present.

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Academia Film, Art, Television, and Media Queer Politics, Culture, and History Race, Sex, Gender, and Sexuality

Asia Argento and Avital Ronell Or, Humans Are the Worst People

Naming power isn’t really enough if the primary aim is to simply shift power around, and #MeToo’s supporters and “leaders” haven’t really done all that much to change that conversation.  

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Academia Film, Art, Television, and Media On Books and Publishing

A World of Shame: Time, Belonging, and Social Media

Excerpt: This is a murder mystery without a murder.  Think of it like a Brian De Palma movie from the 1970s: a streetwalker is found dead in an alleyway, and the detective assigned to the case is about to write it up as another transaction gone awry until he begins to see the clues that unravel a sprawling political conspiracy.  
The body is incidental.

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Film, Art, Television, and Media

Death by Celebrity: Anthony Bourdain, Kate Spade, and the Lives We Flee

Suicide isn’t something we can fully claim to understand, but it’s also not something we need to blame people for. 

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Feminism Film, Art, Television, and Media Politics Race, Sex, Gender, and Sexuality

A Monica for Our Time: Reinventing Sex and Trauma in the Age of #MeToo

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Capitalism, Class, Inequality Film, Art, Television, and Media Race, Sex, Gender, and Sexuality

On Cultural Purity

If the Cultural Purity Police (CPP) had their way, they would brand British curry as theft, but every cuisine consists of an infinite number of borrowings and travels, sometimes stretching back millennia.

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Feminism Film, Art, Television, and Media Race, Sex, Gender, and Sexuality

Joshua Marston’s Complete Unknown: Or, When Critics Respond To A Woman Who Lives Like A Man

Both Variety and the Times describe Weisz’s character as a “femme fatale,” even though there’s no hint that she enters her various lives by feminine wiles.


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Film, Art, Television, and Media On Books and Publishing Politics

The New York Times Is The Daily Prophet

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Film, Art, Television, and Media Updates

What’s This Movie Called?: Or, Snakes and Ladders, and the End of Stardom and Friendships

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Film, Art, Television, and Media Politics Race, Sex, Gender, and Sexuality

Donald Trump Won Because Hillary Clinton Lost