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Film, Art, Television, and Media

Death by Celebrity: Anthony Bourdain, Kate Spade, and the Lives We Flee

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Feminism Film, Art, Television, and Media Politics Race, Sex, Gender, and Sexuality

A Monica for Our Time: Reinventing Sex and Trauma in the Age of #MeToo

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Capitalism, Class, Inequality Film, Art, Television, and Media Race, Sex, Gender, and Sexuality

On Cultural Purity

If the Cultural Purity Police (CPP) had their way, they would brand British curry as theft, but every cuisine consists of an infinite number of borrowings and travels, sometimes stretching back millennia.

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Feminism Film, Art, Television, and Media Race, Sex, Gender, and Sexuality

Joshua Marston’s Complete Unknown: Or, When Critics Respond To A Woman Who Lives Like A Man

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Film, Art, Television, and Media On Books and Publishing Politics

The New York Times Is The Daily Prophet

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Film, Art, Television, and Media Updates

What’s This Movie Called?: Or, Snakes and Ladders, and the End of Stardom and Friendships

Image result for snakes and ladders
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Film, Art, Television, and Media Politics Race, Sex, Gender, and Sexuality

Donald Trump Won Because Hillary Clinton Lost

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Feminism Film, Art, Television, and Media Race, Sex, Gender, and Sexuality

Meryl Streep Is in Costume as Florence Foster Jenkins

Excerpt: Imagine the iconic figure of the young woman holding up a little black dog. Consider the impressionistic lushnesss of the image. Now imagine that someone has come along, cut out the woman, and replaced her with a photographic image of a woman with a dog.

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Feminism Film, Art, Television, and Media Race, Sex, Gender, and Sexuality

Ghostbusters, Hillary Clinton, and Faux Feminism

 We’re not obliged to prop up faux feminism: We can and should expect films that actually make strong feminist statements embedded in excellent writing and character development.  

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Film, Art, Television, and Media

Steven Spielberg’s The BFG and AMM