Money is a great thing to have in real life, but it makes for a lousy plot device in a novel.
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Excerpt: Punk’s political power once lay, at least in part, in its refusal to live by categorizations, and its defiance of the imperative to grow up, settle down and pretend that there is nothing new to learn or live for after a point.
Now, to be a celebrity was to become a logo.
As her journey progresses, however, Miles remains a lesbian while her leftist politics disappear.
She fully understands that history is made by those in power. She consistently opposes those who don’t defer to power.
What that actually means is that both the Left and the Right in this country have succeeded in defining the center of politics as how you feel about identity. And as long as that’s true, that means the Right always wins.
We no longer care to think about how to make the conditions of poverty (and hence the poor) disappear; we’d rather spend our resources freezing the culture of the poor in perpetuity.
Sex trafficking stories are symptomatic of our uneasy relationship with a new global economy.
But is “family” necessarily part of a progressive reform agenda?