The mother is capable of making her own decisions and if she wants to abort a foetus, yes, a foetus for any reason whatsoever, she’s well within her rights to do so.

The mother is capable of making her own decisions and if she wants to abort a foetus, yes, a foetus for any reason whatsoever, she’s well within her rights to do so.

At the heart of all this manufactured outrage lies barely suppressed anger at the projected violation of white women.

If Season 1 made prison seem like Camp PrisonCanBeFun for girls, Season 2 is bleaker and filled with reminders that the only certainty about prison life, besides the roaches and the shit bubbling up through bad plumbing, is the absolute uncertainty.

This shit’s complicated
The history of urban centers is, in palpable ways, the history of their sex workers.
![Sex Workers Unite: A History of the Movement from Stonewall to SlutWalk by [Chateauvert, Melinda]](https://images-na.ssl-images-amazon.com/images/I/51et3qY7o6L.jpg)
Where are those who move on in life without marriage and children?
“I’d be doing myself and my community a disservice if I didn’t speak in an intersectional way.”

Pratibha Parmar is an acclaimed filmmaker, among the first of a generation of queer British filmmakers who were also people of color. Among her many noteworthy films are Reframing AIDS (1987) and Khush (1991). In 1993, she made Warrior Marks, a film about female genital mutilation, based on a book by Alice Walker and Parmar. Warrior Marks was controversial amongst many who opposed Walker and Parmar’s political stance against FGM, but cemented a long-standing collaboration and friendship between the two women.

At the end of the day, nothing is about feminism if it isn’t also about dismantling the exploitation of capitalism.

No tragic dramas? Make them up! But, always: Confess and Reveal.
