Categories
Capitalism, Class, Inequality Feminism Film, Art, Television, and Media

The Business Of Britney

Excerpt: Did we need Freud to understand that cutting off her long locks, the ultimate signifier of her hyper femininity, was akin to taking a razor to her breasts, to dissociate from the parts that trapped her?  

Categories
Feminism Film, Art, Television, and Media Queer Politics, Culture, and History Race, Sex, Gender, and Sexuality

Losing Eve: Is That All There Is?

Excerpt: And, really, who cares?

Categories
Academia Capitalism, Class, Inequality Feminism Film, Art, Television, and Media

The Chair Is Everything You Expect, And That’s The Problem

Excerpt: The structure remains intact.

Categories
Capitalism, Class, Inequality Film, Art, Television, and Media Labour Race, Sex, Gender, and Sexuality

Granny Labour in Never Have I Ever

Excerpt: Never Have I Ever normalises her uprooting and her labour …and casts all of it as benign, adorable, and part of the fabric of Indian American life.

Categories
Film, Art, Television, and Media

Zombie Breasts

Excerpt: There need be no ponderous moments of tenderness or human connection. 

Categories
Capitalism, Class, Inequality Film, Art, Television, and Media Pandemic

WeWork, Or Give People Money

Money is a construct.

Categories
Film, Art, Television, and Media Yasmin's Media Appearances

Current Affairs Podcast: The Arts Industry, In Two Parts

Categories
Feminism Film, Art, Television, and Media

On Mary Wollstonecraft and Public/Pubic Art

In a sense, every statue of a male intellectual has him with his schlong out, even if you can’t actually see said schlong. 

Categories
Capitalism, Class, Inequality Film, Art, Television, and Media

Stop Humanising Victims

Excerpt: “Humanising” stories blunt our consciousness about how violence and death come about. 

Categories
Capitalism, Class, Inequality Film, Art, Television, and Media Labour Yasmin's Media Appearances

Nostalgia Trap Episode, “No Place Like Home.”