Can we grapple with the complexity of the truth instead of being seduced by the more palatable tale of good and evil?
Category: Film, Art, Television, and Media
Bashar Barazi is the president of 3B Media, Inc., the parent company of MAQAM, a sponsor of the 2006 Gay Games VII in Chicago. MAQAM brought artists to perform at the Opening/Closing Ceremonies and is now producing A Dream of Arabia. Barazi spoke to Windy City Times on the phone about the upcoming show.
“Dead Images, Live Transmissions: Greg Louganis and the Construction of AIDS on Television.”
Discourse: Journal for Theoretical Studies in Media and Culture, volume 22.1 (Winter 2000)
http://muse.jhu.edu/journals/discourse/
Access to this article is available only through subscription to Muse or to the journal.
“Radical queers haven’t yet figured out how to use film as politics; we’ve done it with performance and spoken word, but not with film. The assimilationists are winning the war because they’ve learned how to use film as propaganda by wrapping their message in the preferred discourse of civil rights.”
When AT&T unveiled its U-Verse television programming service, the company waxed about the new technology that allows subscribers to access 320 channels. Recently, however, the company has come under fire for limiting access to public-access programming. The Illinois chapter of the National Association of Telecommunications Officers (NATOA) and CAN TV (Community Access Television) have joined a nationwide coalition to file a petition with the Federal Communications Commission (FCC). On its Web site, NATOA says that customers of “AT&T … can’t switch between commercial and PEG channels, set a DVR to record a PEG program, or depend on getting timely local emergency alerts. AT&T’s system deprives PEG channels of basic capabilities such as closed captioning.”
