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Capitalism, Class, Inequality Politics Prison industrial complex Queer Politics, Culture, and History Race, Sex, Gender, and Sexuality

Kiss and Run: On Matty Healy and White Saviours

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Capitalism, Class, Inequality Feminism Film, Art, Television, and Media Race, Sex, Gender, and Sexuality

A Bestiary in Silks: Fashion and Race in And Just Like That

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Academia Capitalism, Class, Inequality On Books and Publishing

Everything We Do, We Do for the Ones After Us

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Capitalism, Class, Inequality Film, Art, Television, and Media

I was on Mtume Gant’s Podcast, Talking about the Uses and Abuses of the Term “Indie.”

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Capitalism, Class, Inequality Film, Art, Television, and Media

On Leaving Twitter, or Not

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Capitalism, Class, Inequality Gay Marriage Pandemic Politics Queer Politics, Culture, and History Race, Sex, Gender, and Sexuality

Gay Marriage Ruined Everything

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Capitalism, Class, Inequality Film, Art, Television, and Media Immigration Labour

On Titan, Migrants, and Mourning

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Capitalism, Class, Inequality Film, Art, Television, and Media On Books and Publishing

The Corruption of Influence: On Dimes Square, Byline, and the New York Times

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Academia Capitalism, Class, Inequality Film, Art, Television, and Media Politics Race, Sex, Gender, and Sexuality

On Race, AI, and Representation Or, Why Democracy Now Needs To Redo Its June 1 Segment

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Capitalism, Class, Inequality Chicago Chronicles On Books and Publishing

“Boosted!”, my review of Blair Kamin’s Who Is The City For?, is up at the New York Review of Architecture.